Sam
Cimino
Mr.
Hamilton
AP
Literature 6th hour
13
November 2014
Sex Without Love by Sharon Olds
Biography
on Sharon Olds: Sharon Olds is
one of contemporary poetry’s leading voices. Winner of several prestigious
awards, including the Pulitzer Prize and National Book Critics Circle Award,
Olds is known for writing intensely personal, emotionally scathing poetry which
graphically depicts family life as well as global political events. “Sharon
Olds is enormously self-aware,” wrote David Leavitt in the Voice Literary
Supplement. “Her poetry is remarkable for its candor, its eroticism, and its
power to move.” Olds’s candor has led to both high praise and condemnation. Her
work is often built out of intimate details concerning her children, her
fraught relationship with her parents and, most controversially, her sex life.
Critic Helen Vendler publically disparaged Olds’s work as self-indulgent,
sensationalist and even pornographic. However, Olds has just as many supporters
who praise her poetry for its sensitive portrayal of emotional states, as well
as its bold depiction of “unpoetic” life events. Discussing Olds in Poetry,
Lisel Mueller noted: “By far the greater number of her poems are believable and
touching, and their intensity does not interfere with craftsmanship. Listening
to Olds, we hear a proud, urgent, human voice.” And the poet Billy Collins has
called her “a poet of sex and the psyche,” adding that “Sharon Olds is infamous
for her subject matter alone…but her closer readers know her as a poet of constant
linguistic surprise.”
Language-
Diction and Description: Fiction and Drama
depend on language just as poetry does, but in a poem almost everything comes
down to the particular meanings and implications, as well as sound and shape of
individual words. When we read stories and plays, we generally focus our
attention on character and plot and although words determine how we imagine
those characters and how we respond to what happens to them, we are not as
likely to pause over any one word as we may need to when reading a poem. Because
poems are often short, much depends on every word in them. Sometimes, as though
they were distilled prose, poems contain only the essential words. They say
just barely enough to communicate in the most basic way, using elemental signs-
each of which is chosen for exactly the right shade of meaning or feeling or
both. But elemental does not necessarily mean simple, and these signs may be
very rich in their meanings and complex in their effects. The poet’s word
choice- the diction of a poem- determines not only meaning but just about every
effect the poem produces. In Sharon Olds’s poem “Sex Without Love,” we can see
how this is true:
How
do they do it, the ones who make love
without
love? Beautiful as dancers,
gliding
over each other like ice-skaters
over
the ice, fingers hooked
inside
each other's bodies, faces
red
as steak, wine, wet as the
children
at birth whose mothers are going to
give
them away. How do they come to the
come
to the come to the God come to the
still
waters, and not love
the
one who came there with them, light
rising
slowly as steam off their joined
skin?
These are the true religious,
the
purists, the pros, the ones who will not
accept
a false Messiah, love the
priest
instead of the God. They do not
mistake
the lover for their own pleasure,
they
are like great runners: they know they are alone
with
the road surface, the cold, the wind,
the
fit of their shoes, their over-all cardio-
vascular
health--just factors, like the partner
in
the bed, and not the truth, which is the
single
body alone in the universe
against
its own best time.
Analysis: This poem spoke to me because a lot of times in
society today people are out of touch. The people described in this poem are
out of touch with their family, their lovers, and themselves. Unlike other
poems whose lines consist of complex imagery, symbolism, and other forms of
fugitive speech in order to paint a picture for the reader to interpret, Olds
does the opposite and presents a clear and detailed view with the use of irony,
enabling a single point to come across. The elements that are compared with the
idea of sex without love are usually seen as beautiful circumstances, but due
to word choice and structure these elements quickly turn into a disturbing
scene within the walls of the poem. The ironic forms of the images provide an
understated disapproving tone to the lines. As the poem beings, Olds uses a
series of objects that seem perfectly normal to the eye, such as the ice
skaters, new born babies, and runners, unfortunately these images mean more than
a glamour shot. Olds begins to answer her own question with a well-constructed
metaphor; "Beautiful as dancers, gliding over each other like ice skaters,
over ice," the use of the ice skater feels simplistic and also carries the
feeling that the act is approved of. However, looking deeper, ice skaters are
just performers performing an act that must be faked in order to signal
happiness and beauty. The dance is also performed on the ice implying that the
act of sex without love is cold and impersonal. I wish that things were
different and the world would be filled with genuine love again, but until the
cold frost that binds true love is lifted there can be no summer love, and
there shall be sex without love.
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